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Wallpaper Biography

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Wallpaper is the enigmatic onstage existence of Oakland music addict Eric Frederic. In another life, he fronts a prog-rock powerhouse (indie stalwarts Facing New York), but in this one, he's a pop-pushing kingpin as interested in art as artifice. The Wallpaper project began in early 2005 as tweaked satire, Frederic funneling his earliest influences (P-Funk, New Jack, East Bay rap) into two EPs of diced, digital beats and lyrics caricaturing the pop vernacular. But as the Hyphy hip-hop movement crested in Frederic's backyard, something changed. "I saw that classic Bay Area sound resurfacing," he says, "that same psychedelic, drippy, care-free, funky approach that reigned from Sly Stone to Digital Underground." He needed to pay tribute, and in a hail of house parties and homemade discs, Wallpaper was reborn as Ricky Reed, Frederic's disco-smashing doppelganger. This glitz 'n' grit champion of the groove has since become a gilded name in the underground, wooing crowds with a computerized croon, live reinventions of R&B classics, and tales of excess in the Information Age. Live, Wallpaper is joined by Arjun Singh on drums. They have blown spots alongside such notables as Subtle, Darondo, LA Riots, Electric Soft Parade, and Nino Moschella.
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Writer Charlotte Perkins Gilman penned the short story "The Yellow Wall-Paper." A feminist, she encouraged women to gain economic independence.
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Synopsis
Charlotte Perkins Gilman was born on July 3, 1860, in Hartford, Connecticut. She published her best-known short story "The Yellow Wall-Paper" in 1892. One of her greatest works of non-fiction, Women and Economics, was published in 1898. Along with writing books, she established a magazine, The Forerunner, which was published from 1909 to 1916. Gilman committed suicide on August 17, 1935, in Pasadena, California.
Early Life
Writer and social reformer Charlotte Perkins Gilman was born on July 3, 1860, in Hartford, Connecticut. Gilman was a writer and social activist during the late 1800s and early 1900s. She had a difficult childhood. Her father, Frederick Beecher Perkins was a relative of well-known and influential Beecher family, including the writer Harriet Beecher Stowe. But he abandoned the family, leaving Charlotte's mother to raise two children on her own. Gilman moved around a lot as a result and her education suffered greatly for it.
Marriage and Inspiration
Gilman married artist Charles Stetson in 1884. The couple had a daughter named Katherine. Sometime during her decade-long marriage to Stetson, Gilman experienced a severe depression and underwent a series of unusual treatments for it. This experience is believed to have inspired her best-known short story "The Yellow Wall-Paper" (1892).
Women's Rights Activism
While she is best known for her fiction, Gilman was also a successful lecturer and intellectual. One of her greatest works of nonfiction, Women and Economics, was published in 1898. A feminist, she called for women to gain economic independence, and the work helped cement her standing as a social theorist. It was even used as a textbook at one time. Other important nonfiction works followed, such as The Home: Its Work and Influence (1903) and Does a Man Support His Wife? (1915).
Along with writing books, Charlotte Perkins Gilman established The Forerunner, a magazine that allowed her to express her ideas on women's issues and on social reform. It was published from 1909 to 1916 and included essays, opinion pieces, fiction, poetry and excerpts from novels.
Suicide
In 1900, Gilman had married for the second time. She wed her cousin George Gilman, and the two stayed together until his death in 1934. The next year she discovered that she had inoperable breast cancer. Charlotte Perkins Gilman committed suicide on August 17, 1935.
Led by Oakland, California native Ricky Reed, Wallpaper. fuses hip-hop, pop, and dance music in a carefree, occasionally pointed fashion. After a pair of EPs in 2006 and in 2008, the first Wallpaper. album, Doodoo Face, was released in 2009 on Eenie Meenie. Reed dished out lighthearted and Auto-Tune-treated lyrics about partying over productions that seemed equally inspired by '80s electro-pop and contemporary mainstream rap. #STUPiDFACEDD (2011) followed on Hype Music in a similar manner. It featured one of Reed's goofiest and most outlandish songs yet in "Fucking Best Song Everr," which was licensed by Epic and re-released in 2012. The song reached the Top Ten of Billboard's club chart. By May 2013, its animated video had close to four-million YouTube views. The album Ricky Reed Is Real followed in 2013 and featured the singles "Good 4 It" and "Drunken Hearts." ~ Andy Kellman, Rovi